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		ITC Benguiat Condensed Italic Designed by Ed Benguiat, at first glance the ITC Benguiat® design has strong art nouveau overtones. A closer look will reveal definite old style traits and a hint of chancery script in the italics.
		ITC Bauhaus Medium The prototype for the ITC Bauhaus® typeface was created in 1925 by Herbert Bayer, a professor at the famed Bauhaus school in Dessau, Germany.
		ITC Tiffany Medium Designed by Ed Benguiat, the ITC Tiffany™ design is a contemporary blend of two significant faces not seen for many years. These were the Ronaldson™ and Caxton™ typefaces, first cut in the late 1800s.
		Ocean Sans The Ocean Sans® design was conceived by Chong Wah out of a goal to create a highly distinctive, yet simple, sans serif typeface. The design is also fairly condensed which makes it space economical.
		ITC Stone Humanist The ITC Stone® Humanist design is a careful blend of traditional sans serif shapes and classical letterforms with serifs. The proportions of the ITC Stone Humanist face are based on those of the ITC Stone Serif design.
		Parma Named after the Italian city where he lived and worked, Giambattista Bodoni’s Parma® typeface is a modern interpretation of his neo-classical type design.
		Impact Geoffrey Lee designed the Impact™ font for the Stephenson Blake foundry in 1965. The Fonts.com logo is based on this typeface.
		ITC Officina Serif The ITC Officina® Serif typeface was first released in 1990 as a paired family of serif and sans serif faces in two weights with italics. The family was intended for use in business correspondence.